The SlateIsreel.com is the category-defining domain for stories about Israel — and this is what we are building on top of it.
Israel plus reel. It explains itself the first time you hear it, and it does not need to be spelled twice.
No other name owns this space. A slate launched under Isreel.com starts with brand recall that most studios spend years buying.
Every film released under the name makes the name worth more. The domain and the catalog appreciate together.
A night-shift interceptor crew has ninety seconds to decide which city block lives.
A tightly wound, single-night thriller built around the people inside an air-defense operations room. Commercial scale, festival-grade performances, shot for a global audience rather than a domestic one.
Tel Aviv's designers are building a new visual language out of desert, sea, and diaspora.
A cinematic look at Israeli fashion, streetwear, and design — the studios, the fabric markets, and the founders exporting a Mediterranean-Middle Eastern aesthetic to global runways.
Three weapons, three eras, one engineering philosophy that changed how the world builds small arms.
A design-history series on Israeli firearms engineering — the constraints that produced each generation, the people who drew them, and the manufacturing culture behind Israel Weapon Industries.
The war nobody photographs is fought in server rooms outside Be'er Sheva.
Cyber defense, AI, and aerospace R&D told through the engineers who build it. Access-driven, technically literate, and shot with the visual seriousness the subject usually never gets.
The true story of Baron Roman von Ungern-Sternberg and Israel-Eli Zanzer — a flagship feature film with limited-series potential, set across Siberia and 1921 Mongolia, from the same team.
Russia, 1918. A mystic cavalry officer rides east to restore an empire, convinced he is the vessel of an ancient prophecy. In his path stands Israel-Eli Zanzer, the mining engineer holding Urga's Jewish trading community together as the Romanov gold vanishes into the steppe.
The domain, the mark, and the catalog move as one brand rather than a loose collection of one-off titles.
U.S. strategy and financing paired with veteran filmmakers and local crews on the ground in Israel.
For-profit equity on commercial titles, and a 501(c)(3) fiscal-sponsorship path for tax-advantaged advocacy giving.
Back a title, co-produce a project on the slate, or bring us one of your own. Every path starts with the same short conversation.
Alongside our commercial slate, Isreel operates a nonprofit-sponsored outreach division producing rapid-response and educational media. Funded separately through 501(c)(3) fiscal sponsorship.
Sixty-second films that answer the loudest lie on the internet that week.
A rapid-response advocacy unit producing vertical, platform-native shorts. Built to move fast, ship weekly, and travel further than the claim it responds to. Structured for 501(c)(3) fiscal-sponsorship funding.